Rokuban, a Novel
Sunday, March 24, 2013 at 11:45AM
Aonghas Crowe in Getting Published, No.6, No.6 High Times and Hard Time in Japan, Reading Life, Rokuban, Writing Life

 

   You’re fucked if you get arrested in Japan.

   Japanese judges convict with such vengeance that defendants hauled before a court of law have less than a one in one thousandth of a chance of being let off.

   Listen: once arrested in Japan, the odds are stacked heavily against the suspect. In a typical year such as 2006, when 153,000 unlucky bastards—including the protagonist of this novel—were taken into police custody, only 3% were released within the first seventy-two hours of their arrest. The remaining were detained, often held incommunicado, for the next ten days where most were brow-beaten or even tortured into signing written confessions. In 54% of those cases, prosecutors requested an extension of detention in order to continue with their investigation, while another 28% who had already cracked were prosecuted outright, their confessions becoming the most damning piece of evidence used against them.

   Judges in Japan, far from being impartial adjudicators, rubber-stamp the paperwork of prosecutors, rejecting in 2006 a mere 70 out of their 74,000-plus requests for extensions of detention (less than one-tenth of one percent). The vast majority of those kept behind bars while they have confessions coerced out of them—excuse me, have their cases are “investigated”—end up being charged with crimes. Again, over 99% of these are then found guilty and sentenced.

   Surely, some of them are innocent.

   While the Gospel according to John may say that the truth will set you free, in the courts of Japan, truth can be the very slipknot they hang you with. So, what can you do if you are brought before the juggernaut that is Japan’s Ministry of Justice?

   Lie, lie, lie.

   Rokuban (No.6), a fast-paced novel about how an American expat beats these formidable odds, offers not only a satirical look into Japan’s Kafkaesque system of justice and the bizarre, sometimes humorous life behind bars, but also gives a fresh perspective on drug-use in Japan today.

   In the parlance of Hollywood, it is Midnight Express meets The Usual Suspects meets Lost in Translations.

 

Article originally appeared on Aonghas Crowe (http://www.aonghascrowe.com/).
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